CRITICS

Title: Marco Bolognesi, Techno Mutant
Author: Giacomo Daniele Fragapane
Year: 2019

As Sartre once said, “the object in the image is never anything more than the consciousness that it has”. (Sartre 1940-2007: 27). In photography, the concept of “reference” is as much to do with virtual relationships as it is with physical ones which actually exist in space and time.

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Title: Foreign bodies. A project to recognize and accept otherness outside and inside oneself
Author: Elena Paloscia
Year: 2019

Corpi estranei, Marco Bolognesi’s new project for the Macro Asilo, is an interactive performance on the routes of immigration and racism, a global theme that affects every corner of the planet, whose urgency is such that, for the artist, it requires first of all awareness.

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Title: Sendai Corporation
Author: Massimo Sgroi
Year: 2014

The analytical paradigm of the human mind is no longer able to distinguish the difference between the old cultural models and new ways of reality that assume a hyper technological drift in the creation of the new territories of the mind-space.

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Title: The hybrid world of Marco Bolognesi: a Cyberpunk Mash-up
Author: Nicola Dusi
Year: 2014

Bolognesi’s work is at one with the contemporary post-medial period, in which everything that has been produced and everything that was seen before returns in new forms.

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Title: A Future That is Already Here
Author: Roberto Terrosi
Year: 2014

The main characteristic of cyberpunk was it talked about a near, realistic future, opposed to a rather fanciful future and far from removed from preceding science fiction.

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Title: Sendai City – Interview by Valerio Dehò to Marco Bolognesi
Author: Valerio Dehò
Year: 2014

This project is probably the most complex, important and arduous that you are carrying out. Do you consider it a point of arrival or a turning point?
I do not think that in life there are arrival points or turning points, but more important situations, which will mark a moment in my career to remember.

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Title: At The End of The Future
Author: Valerio Dehò
Year: 2014

Day by day, however, the machines are gaining ground upon us; day by day we are becoming more subservient to them; more men are daily bound down as slaves to tend them, more men are daily devoting the energies of their whole lives to the development of mechanical life.

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Title: Babylon Federation: An Interview by Antonella Beccaria to Marco Bolognesi
Author: Antonella Beccaria
Year: 2014

Never has, Antoine-Laurent de Lavoisier, scientist of the seventeenth century, been more right: his postulate, on the basis of the law of conservation of mass, seems to translate in coherent terms in the BOMAR Universe that does not create or destroy anything, but that evolves the existing by creating a new world interwoven with elements of the past with which stories are told of the future.

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Title: A Book of Doubles: Ariosto and Bolognesi
Author: Alberto Manguel
Year: 2014

On 15 September 1815, Johann Wolfgang von Goethe wrote a poem about the leaf of the gingko biloba tree in his garden at Weimar.

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Title: The Characters of Orlando Furioso: Robots and Mutants, Manipulated Fighters. A conversation with Marco Bolognesi
Author: Sandro Parmiggiani
Year: 2014

My personal acquaintance with Marco Bolognesi and the attendance of his work are recent: they date back to the exhibition “Humanescape”, presented in the 2012 edition of Fotografia Europea in Reggio Emilia.

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